Lester Bangs: I saw Bowie the other night

Lester Bangs: “I saw Bowie the other night.”

Lou Reed: “Lucky you. I think it’s very sad.”

LB: “He ripped off all your riffs, obviously.”

LR: “Everybody steals riffs. You steal yours. David wrote some really great songs.”

LB: “Aw c’mon. Anybody can write great songs! Sam the Sham wrote great songs! Did David write anything better than ‘Wooly Bully’?

LR: “You ever listen to ‘The Bewlay Brothers,’ shithead?”

—“Let Us Now Praise Famous Death Dwarves,” Creem, March 1975.

It acts as a Conduit for what we call Sha

“Terrible Feng Shui here. Worst I ever saw. You two crazy?”

“Because of…?” Dixon indicating behind them, in thickening dusk, the Visto sweeping away.

“It acts as a Conduit for what we call Sha, or, as they say in Spanish California, Bad Energy.— Imagine a Wind, a truly ill wind, bringing failure, poverty, disgrace, betrayal,— every kind of bad luck there is,— all blowing through, night and day, with many times the force of the worst storm you were ever in.”

“No one intends to live directly upon the Visto,” Mason speaking as to a Child. “The object being, that the people shall set their homes to one side or another. That it be a Boundary, nothing more.”

“Boundry!” The Chinaman begins to pull upon his hair and paw the earth with brocade-slipper’d feet. “Ev’rywhere else on earth, Boundaries follow Nature,— coast-lines, ridge-tops, river-banks,— so honoring the Dragon or Shan within, from which Land-Scape ever takes its form. To mark a right Line upon the Earth is to inflict upon the Dragon’s very Flesh, a sword-slash, a long, perfect scar, impossible for any who live out here the year ‘round to see as other than hateful Assault. How can it pass unanswer’d?”

Mason & Dixon, by Thomas Pynchon (p542).

at present, owing to the pernicious Cult of Feng Shui,

“Mr. Dixon,” declares the Jesuit, “at present, owing to the pernicious Cult of Feng Shui, you would find it a Surveyor’s Bad Dream, — nowhere may a Geometer encounter an honest 360-Degree Circle,— rather, incomprehensibly and perversely, in wilful denial of God’s Disposition of Time and Space, preferring 365 and a Quarter.”

“That being the number of Days in a year, what Human Surveyor, down here upon Earth, would reject thah’,— each Day a single, perfect Chinese Degree,— were 360 not vastly more convenient, of course, to figure with? Surely God, being Omniscient, has little trouble with either…? all the Log Tables right there in His Nob, doesn’t he,—” Dixon, having been out tramping over the Fields and Fells for the past few weeks, with Table and Circumferentor, still enjoying a certain orthogonal Momentum, “and 365 and a quarter seems the sort of Division Jesuits might embrace,— the discomfort of all that extra calculation…? sort of mental Cilice, perhaps…?”

“Oh dear,” Emerson’s voice echoing within his Ale-can.

Mason & Dixon, by Thomas Pynchon (p230).

Aye, they go on living, but without dear old Grandam

“This is about Family, sure as the History of England. Inside any one Tribe of Indians, they’re all related, see? Kill you one Delaware, you affront the Family at large. Out there, if it’s Blood of mine, of course I must go out and seek redress,— tho’ I’ll have far less company.”

“Each alone lacking the Numbers, our sole Recourse is to band together.”

“These were said to be harmless, helpless people,” Dixon points out in some miraculous way that does not draw challenge or insult in return. Apprehensive among these Folk, Mason, who would have perhaps us’d one Adjective fewer, regards his Georgie Partner with a strange Gaze, bordering upon Respect.

“They were blood relations of men who slew blood relations of ours.” Jabez explains.

“Then if You know who did it, for the Lord’s sake why did You not go after them?”

“This hurt them more,” smiles a certain Oily Leon, fingering his Frizzen and Flint.

“Aye, they go on living, but without dear old Grandam,— puts a big Hole in the Blanket, don’t it?”

“You must hate them exceedingly,” Mason pretending to a philosophikal interest actually far more faint than his interest in getting out of here alive.

“No,” looking about as if puzzl’d, “not any more. That debt is paid. I’ll live in peace with them,— happy to.”

Mason & Dixon, by Thomas Pynchon (pp 343-44).

it is known as the Sterloop

When they see what is upon the Tavern Sign, Mason and Dixon exchange a look,— the Weapon depicted, Black upon White, is notable for the Device upon its Stock, a Silver Star of five Points, revers’d so that two point up and one down,— a sure sign of evil at work, universally recogniz’d as the Horns of the D——l. No-one would adorn a Firearm with it, who was not wittingly in the service of that Prince. This is not the first Time the Surveyors have seen it,— at the Cape, usually right-side-up, it is known as the Sterloop,— a sort of good-luck charm, out in the Bush. But ev’ry now and then, mostly on days of treacherous Wind or Ill-Spirits, one or both had spied upon a Rifle an inverted Star, much like what they observe now, against the Sky, plumb in the windless Forenoon.

Mason & Dixon, by Thomas Pynchon (p342).

Catfish is packing a Lancaster Rifle

Mason sees it first,— then tipp’d by his frozen silence, Dixon. Catfish is packing a Lancaster Rifle, slung in Scabbard upon his Saddle, with an inverted Pentacle upon the Stock, unmistakable in the Moon-Light. Mason looks over, on the possibility that Dixon has a Plan, and sees Dixon already looking back at him, upon the same deluded Hope.

“Acutally,” says Dixon, “we only just arriv’d, so it isn’t as if we’ve ‘seen’ the River, if that poses any sort of problem,—”

“— and it certainly isn’t as if we’re planning to settle here,—”

Catfish with one huge hand slides the Rifle out and holds it up before him, noticing the  Sterloop as if for the first time. He smiles without mirth at the Surveyors. “You think this is my Rifle? No! I took this Rifle! From a White Man I have wish’d to meet for a long time. He was a very bad man. Even White People hated him. Beautiful piece, isn’t it?”

“The Sign on it has evil Powers,” Mason warns. “You should take a Knife or something, and pry it out.”

“What happened to it’s owner?” Dixon with a look of unsuccessfully feign’d innocence.

The Delaware is delighted to share that information with them, pulling from a Bag he carries a long Lock of fair European Hair so freshly taken, ‘tis yet darkly a-drip, at one end, with Blood. “This very day, Milords. Had you been earlier, you might have met.”

Either Mason or Dixon might reply, “We’ve met,”— yet neither does. “It didn’t feel complete to me,” Mason admits later, “I expected he yet liv’d, screaming about the Woods, driven to revenge at any price, a Monomaniack with a Hole in the Top of his Head,—”

“— looking for that Rifle back,” adds Dixon.

Mason & Dixon, by Thomas Pynchon (pp 680-81).

The next real literary “rebels” in this country

The next real literary “rebels” in this country might well emerge as some weird bunch of “anti rebels,” born oglers who dare to back away from ironic watching, who have the childish gall actually to endorse single-entendre values. Who treat old untrendy human troubles and emotions in U.S. life with reverence and conviction. Who eschew self-consciousness and fatigue. These anti-rebels would be outdated, of course, before they even started. Too sincere. Clearly repressed. Backward, quaint, naive, anachronistic. Maybe that’ll be the point, why they’ll be the next real rebels. Real rebels, as far as I can see, risk things. Risk disapproval. The old postmodern insurgents risked the gasp and squeak: shock, disgust, outrage, censorship, accusations of socialism, anarchism, nihilism. The new rebels might be the ones willing to risk the yawn, the rolled eyes, the cool smile, the nudged ribs, the parody of gifted ironists, the “How banal.” Accusations of sentimentality, melodrama. Credulity. Willingness to be suckered by a world of lurkers and starers who fear gaze and ridicule above imprisonment without law. Who knows. Today’s most engaged young fiction does seem like some kind of line’s end’s end. I guess that means we all get to draw our own conclusions. Have to. Are you immensely pleased. 

—from closing paragraph of essay entitled E Unibus Pluram: Television and U.S. Fiction, by David Foster Wallace